Throwing down the theoretical gauntlet, Lee Edelman outlines a radically uncompromising new ethics of queer theory. His searing polemic takes aim at the figure of the child, whom he contends is the lynchpin of an entire rhetoric and politics of "reproductive futurity." Edelman argues that in the popular imaginary, the child - innocent, angelic, and imperiled - represents the po...(展开全部)

Throwing down the theoretical gauntlet, Lee Edelman outlines a radically uncompromising new ethics of queer theory. His searing polemic takes aim at the figure of the child, whom he contends is the lynchpin of an entire rhetoric and politics of "reproductive futurity." Edelman argues that in the popular imaginary, the child - innocent, angelic, and imperiled - represents the po...(展开全部)

Handa puts seven delicious fruits in a basket to take to her friend, Akeyo. But as she walks, carrying the basket on her head, various creatures steal her fruits. A monkey takes the banana, an ostrich the guava, a zebra the orange, an elephant the mango, a giraffe the pineapple, an antelope the avocado and a parrot the passion fruit. Handa walks on, wondering which of the fruit...(展开全部)

艾琳•布朗出生在伯明翰，1995年搬到威尔特郡之前，她在伦敦生活了20多年。她曾从事过学校教师等工作，后成为作家、插画家，第一本书出版于1977年。 艾琳•布朗独立创作了许多书，《汉娜的惊喜》是其中最著名的一本。她还曾与Kit Wright、Tony Bradman 和Floella Benjamin等作家合作进行图书创作。与Tony Bradman合作的《Through My Window》一书，入围1986年聪明豆儿童图书奖（Smarties Book Prize）。《No Problem》入围1994年诺丁汉郡儿童图书奖 （Nottinghamshire Children's Book Award）。《汉娜的惊喜》入围1995年谢菲尔德儿童图书奖（Sheffield Children’s Book Awards）

Every day, we use our computers to perform remarkable feats. A simple web search picks out a handful of relevant needles from the world's biggest haystack: the billions of pages on the World Wide Web. Uploading a photo to Facebook transmits millions of pieces of information over numerous error-prone network links, yet somehow a perfect copy of the photo arrives intact. Without ...(展开全部)

Every day, we use our computers to perform remarkable feats. A simple web search picks out a handful of relevant needles from the world's biggest haystack: the billions of pages on the World Wide Web. Uploading a photo to Facebook transmits millions of pieces of information over numerous error-prone network links, yet somehow a perfect copy of the photo arrives intact. Without ...(展开全部)

Gerald is careful. Piggie is not. Piggie cannot help smiling. Gerald can. Gerald worries so that Piggie does not have to. Gerald and Piggie are best friends. In I Will Surprise My Friend!, Gerald and Piggie want to play a game and surprise each other-but the biggest surprise is the one they least expect.

艾琳•布朗出生在伯明翰，1995年搬到威尔特郡之前，她在伦敦生活了20多年。她曾从事过学校教师等工作，后成为作家、插画家，第一本书出版于1977年。 艾琳•布朗独立创作了许多书，《汉娜的惊喜》是其中最著名的一本。她还曾与Kit Wright、Tony Bradman 和Floella Benjamin等作家合作进行图书创作。与Tony Bradman合作的《Through My Window》一书，入围1986年聪明豆儿童图书奖（Smarties Book Prize）。《No Problem》入围1994年诺丁汉郡儿童图书奖 （Nottinghamshire Children's Book Award）。《汉娜的惊喜》入围1995年谢菲尔德儿童图书奖（Sheffield Children’s Book Awards）

《怪物》的作者用上「記憶重組」的敘事手法說故事，把真相以角色的凌碎記憶重組、塑造出來，而且不按時序，但讀者卻能自然重組故事原貌，是漫畫的一種破格。 《怪物》是一套以東西德為背景的心理驚悚漫畫，醫術高超的主人公天馬醫生救了一個頭部中槍的小孩。小孩後來和妹妹一同失蹤。多年後，連串殺人案發生，兇手──一個叫約翰的年輕人出現在天馬面前，而他就是當年那個被天馬從鬼門關拉回來的小孩。無辜的天馬成為殺人嫌犯被迫逃亡，一路追查約翰的下落。漸漸地，他發現自己當年所救的，是一隻為害人間的怪物……